Founded in 1990, the publication has long served as a primary industry authority, maintaining a presence at major international events like the Venice Biennale and Art Basel. The current expansion follows the recent debut of a Hong Kong edition, signaling a broader push to integrate the publication into the Asian cultural landscape.
Global Editor-in-Chief Benjamin Sutton is spearheading the editorial strategy for these new outlets, while Global Commercial Director Aileen Soh manages revenue and partnerships across Western and Asian markets. The launch of the China edition, arriving in both print and digital formats, represents a shift toward bridging the gap between established global art circles and the rapidly evolving demand for localized industry reporting in the East.




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